It has all the signatures of a PTA classic–a fevered cast, immaculate lensing–and still, it evaporates. For a director whose chaos often feels composed, One Battle After Another unravels into spectacle without substance.  

Taylor Swift’s new album, The Life of a Showgirl, is frankly not an Opalite. “Afflicted by a terminal uniqueness,” Taylor introduces this album to be a representation of her happiness with her fiancée, Travis Kelce, and her career as an artist.

Apple Music announced late this September that Bad Bunny will be the 2026 Super Bowl halftime show performer.

After much anticipation, Konami Entertainment’s new entry into the Silent Hill franchise has finally been released to the public.

The Long Walk reminds us how effectively King’s tales resonate with American issues, but certain adaptational changes hold it back from being an undeniable classic.

Headlining bedroom pop artist Clairo shared her stage with United States Senator Bernie Sanders in a historic first for the concert.

Ryan Coogler’s breakout horror film Sinners has quickly become a box-office darling, and it is not slowing down. Sinners has grossed over $123.2 million domestically and $163.2 million globally over its past two weekends. It wasn’t just a strong opening weekend that has given Sinners it’s success, Sinners’ second-weekend drop was just 6%, the lowest for any film opening north of $40 million since James Cameron’s Avatar in 2009, and it’s the lowest mark for a rated R movie of

On his debut album, Malcolm Todd, this indie newcomer confronts these labels and creates one of his own, giving us an album that’s unpolished, heartfelt, and entirely, utterly his own. 

If you have seen any of these films or shows, then you have seen Sydney Sweeney and Glenn Powell. These two stars would rise to fame slowly but surely, soon becoming some of the heartthrobs of the 2020s.

Issued on March 14, this sprawling 30-track composition, clocking in at just over 76 minutes, is a testament to Carti's artistic evolution.